Portfolio — Anita Boeninger
Web design and build, art direction, campaign strategy, and the collateral that carries a brand into the world. A sampling of selected work below — not a comprehensive list of everything done.
Websites
Enchanted Matter — in the producer's words
"Working with Anita and the team at MagnaGem was a game-changer for our film, Enchanted Matter: The Art of Robert Powell. To execute a modern, direct-to-audience release using the dynamic distribution model, we needed a website that could handle exceptional complexity — including custom landing pages, dynamic content, and seamlessly integrating the Robert Powell Memorial Scholarship with the Kathmandu Valley Preservation Trust (KVPT). Anita approached this multifaceted build with absolute professionalism and technical precision. Her deep grasp of the modern film distribution landscape is rare, and her vision was invaluable from day one. Anita came to us highly recommended, and she somehow managed to exceed those high expectations — delivering sophisticated, cutting-edge work on schedule and consistently going well beyond her contractual commitments. She was the strategic anchor of our web presence, guiding our team to successfully launch a truly global outreach platform designed for worldwide distribution. We couldn't recommend MagnaGem and Anita more highly."
Marketing collateral
Beyond the websites: go-to-market strategy, press and media kits, and promotional film — the materials that take a brand to market. Another sampling from a much larger body of work.
A promotional film for Bioneer's online learning platform: co-directing edits, the narrative arc, and visual language toward a single invitation: join the course. Nature-led imagery and a restrained type treatment carry the brand's ecological voice without slipping into stock-footage gloss.
A standalone press kit for journalists, programmers, and festival reviewers: film facts, three pre-written editorial angles, synopsis, high-resolution stills with credit lines, and subject biography in one scrolling page.
A 13-page pitch brief written and designed to help the film's team approach institutional partners — architecture firms, cultural organizations, and aligned foundations. It frames the film's premise, articulates the value a partnership holds for each audience, and moves from story to invitation with a clear partnership ask.
An above-the-fold concept for the film's landing page — the most important real estate on the page. It leads with critical pull-quotes from the Washington Post and Film Threat, anchors the title in the film's vermilion-on-black palette, and drives to a single ask: join the community ahead of the digital premiere.
A vertical social reel capturing a live sound bath: instruments, hands, and room in close, unhurried frames. Art-directed with videographer Darius Farraye toward the same calm the practice itself offers — no hard cuts, no hype, just the atmosphere a first-time attendee is buying into.
Motion & brand
A short animated version of the GlyptoDomes mark — the illustrated glyptodont brought to life for site headers, video intros, and social profiles, with sound.
AI promo videos for social media
A set of short AI-generated films made for The Sorceress Oracle's social channels — directed and edited to stay inside the deck's own visual world, then cut for feed, reels, and paid placements.
The deck's baobab imagery brought to motion — a slow, reverent reveal built for feed and story placements.
Sorceress of the Eclipse animated from the card artwork, holding the deck's candlelit gold-on-obsidian palette.
A quieter cut for organic posting — atmosphere over hard sell, matching the tone buyers meet on the site.
Card art extended into a short loop, designed to stop the scroll and drive to a free card draw.
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